Definitely a song that calls for headphones. On top of the percussion, the use of repetition in the bridge and chorus makes the track even catchier. After a suave kalimba intro, an engulfing bass-heavy drum beat and a distinct clave rhythm take over the sound, with the members' vocals layered over assorted adlibs for a fun element. It's TXT's take on Afrobeats, produced by Dystinkt Beats and Grammy-nominated Smash David, and features creative contributions by Taehyun and Yeonjun. The next track, "Tinnitus (Wanna be a rock)," is the indisputable highlight of the album. When I listened to the song, I could see just how much our members have grown as artists and lyricists." "It's again, our story, so I think it expressed us well. "I wrote the top line for 'Happy Fools' and all the members contributed to the lyrics," Yeonjun says of the track. The track kicks off with a Bossa Nova-inspired elevator rhythm which quickly transforms into upbeat R&B with a camouflaged flute as the base. The official featured artist on the album, however, is Coi Leray, who jumps in on "Happy Fools." Also a Slow Rabbit production, like the previous two tracks, "Happy Fools" features writing credits from all the members. “She really has a knack for writing melodies and lyrics. "She's a really good friend, a really good player, and a really good maker," says Taehyun. The group says the opportunity to work with the singer again arose naturally after sharing the stage in the U.S., Korea, and Japan last year. Among the credits, there's one name MOAs will surely recognize: Salem Ilese. The real punch line comes with the bridge and chorus, with a whistle and echoed "gimme mores" that would be insidious if they weren't so sweetly tantalizing. It's straight-up saccharine dance pop with instantly catchy funky guitar riffs and booming drum and bass. "Sugar Rush Ride" is the safest offering from the bunch. I think it shows different styles and genres in the most TXT-ish style." He also explains how the performance, which includes a tsundere-esque killing point move involving their index fingers, also borrows elements from traditional Korean dance. The song plays a line from the Korean traditional folktale 'Chunhyangjeon,'" the maknae of the group shares. "We always like to challenge ourselves with new style and sound, and we did exactly that with this song. "Devil by the Window" acts as a prelude for the title track: "Sugar Rush Ride," Hueningkai's favorite. But I think all the members did a really good job in recording the 'Devil by the Window.'” “It's really hard to bring out the detailed emotions and the vibes. "As Koreans, it's really hard to bring out the right vibe because of the accents when you have to sing in English," he explains. Taehyun says that was still a challenge for the group. The track is TXT's second official release featuring all-English lyrics, not counting "Cat & Dog" and collaborations. The push and pull share some DNA with last year's "Good Boy Gone Bad." Heavy on bass, "Devil by the Window" traffics in extremes, incorporating snaps, claps, rocky hi-hats, and glitchy noise scratches with subtle whistles, murmured vocals, and layered harmonies. Kicking off the five-track project is "Devil by the Window," a song produced by BigHit Music's very own Slow Rabbit and mixed by Grammy Award-winning engineer Manny Marroquin. After just one listen, it's not hard to discern that The Name Chapter: Temptation is TXT's most experimental album, exploring new genres we haven't yet seen from the band.
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